In our third and final Star Wars episode, we take a look at some of the lesser known cues that round out this incredible score. We discuss the giant bantha in the room: the musical influences that inspired Williams and the temp music that helped to shape some of his artistic choices. Finally, we take a whirlwind tour of the action music, explore the groovy Cantina Band tunes and debate whether Star Wars is in fact the greatest film score of all time. Is it?
3:20 – the music for the Jawas
5:40 – finding the downbeat in “The Little People”
7:28 – is this the highest Tuba line ever?
11:03 – the music for the Sand People
14:39 – Williams’ family relations and a link to Toto
15:28 – use of the Timpani
18:08 – a comparison with Jerry Goldsmith’s Planet of the Apes
20:26 – discussing the Bantha in the room: the musical influences on Star Wars
26:05 – The Dune Sea of Tatooine vs Stravinsky’s Rite of Spring
30:17 – The Rebel Blockade Runner vs Holst’s The Planets
32:02 – Some Bernard Herrmann references in Star Wars
36:56 – The Throne Room vs Dvorak and Elgar
42:21 – The Throne Room’s reappearance in Return of the Jedi
44:55 – rude trumpets and the performance/recording of the score
47:03 – the musicians who made contributions to Star Wars
48:53 – the action music of Star Wars and Williams’ hip grooves
53:11 – Dan’s dissapointment in Star Wars’ lack of musical numbers
56:15 – The Battle of Yavin vs The Battle of Britain
1:02:35 – The Cantina Band, is it jazz or jizz?
1:06:20 –Sing Sing Sing as temp music
1:08:48 – the 2nd Cantina Band song
1:11:18 – the original Star Wars trailer music and Vivaldi’s Four Seasons
1:15:46 – the studio’s woeful attempt at marketing Star Wars
1:17:42 – is Star Wars the greatest film score of all time?
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